THE DAILY ISHMAEL.
ON ALL PAGES.
How I never listened to him.
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How I never watched him.
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How I despise all the other cheesy broadcasters basking in his reflected, dubious glory, now that he's croaked.
Dara O Briain tweeted:
"Terribly sad news about Terry Wogan dying. Hard to quantify what he achieved, not just in broadcasting but for the Irish in Britain.
"Hard to separate what he achieved & the accent he did it in, from the times in which he did it. And opened to the door to all who followed."
Sure and he means himself, so he does.
Dara O Briain tweeted:
"Terribly sad news about Terry Wogan dying. Hard to quantify what he achieved, not just in broadcasting but for the Irish in Britain.
"Hard to separate what he achieved & the accent he did it in, from the times in which he did it. And opened to the door to all who followed."
Sure and he means himself, so he does.
"He had a great sense of perspective, he made sure that his priority was the people he really cared about", she said.
Himself.
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How I never thoughT he had the smoothest voice on radio.
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Himself.
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How I never thoughT he had the smoothest voice on radio.
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How I never found him interesting, funny, witty, ironic or entertaining.
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How I never married anyone who loved Wogan just as much as I did.
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How I never thought he was my friend behind the microphone.
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How I won't miss his cheery, anodyne banter
on account of how I never listened to him.
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How I never watched Terry In Need.
Documents released under the Freedom of Information Act disclose that while his co-presenters give their time for free, 68-year-old Sir Terry receives £1,300 an hour to front the charity television extravaganza.
Sir Terry has been paid for his efforts since the appeal - described by the BBC as the most important event on its calendar - began in 1980.
In 2005, the Irishman - who earns £800,000 a year from his Radio 2 show - picked up £9,065 for his seven-hour stint as Children In Need's main presenter.
Yet his co-stars Natasha Kaplinsky, Eamonn Holmes and Fearne Cotton do not receive a penny. All the musical acts that appear also waive appearance fees.
There is no suggestion that Sir Terry, who owns a mansion near Windsor and a house in France, receives any money intended for charity projects, nor that he has ever claimed to be hosting the show for free.
In the past, Sir Terry has made a show of donating personal items, such as his tie, to highest bidders.
Documents released under the Freedom of Information Act disclose that while his co-presenters give their time for free, 68-year-old Sir Terry receives £1,300 an hour to front the charity television extravaganza.
Sir Terry has been paid for his efforts since the appeal - described by the BBC as the most important event on its calendar - began in 1980.
In 2005, the Irishman - who earns £800,000 a year from his Radio 2 show - picked up £9,065 for his seven-hour stint as Children In Need's main presenter.
Yet his co-stars Natasha Kaplinsky, Eamonn Holmes and Fearne Cotton do not receive a penny. All the musical acts that appear also waive appearance fees.
There is no suggestion that Sir Terry, who owns a mansion near Windsor and a house in France, receives any money intended for charity projects, nor that he has ever claimed to be hosting the show for free.
In the past, Sir Terry has made a show of donating personal items, such as his tie, to highest bidders.
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How he didn't transform the Eurovision Song Contest.
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How I thought Blankety-Blank was shit.
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Just because large numbers of people like something doesn't make it bad.
Doesn't make it good, either.
National treasure, Wogan?
God fucking help us.
At least Gracie Fields could sing
IN OTHER NEWS.
How I don't care about Andy Murray, his legendarY father-in-law, his legendary pregnant wife or his legendary mutant mummy.
HOW I DON'T CARE ABOUT DAVID CAMERON'S PRETEND NEGOTIATIONS.
HOW I DON'T CARE ABOUT DAVID CAMERON'S PRETEND NEGOTIATIONS.
Worthless lying bastards, both of them.
Up against the wall, motherfuckers.
Wogan, though, a fortune of £20 million, Christ, that's worth pretending to be nice to everyone for an hour or two a day.
What irks, though, is the utter banality of his output, a stage Irishman, running the gamut from self-deprecation to self-deprecation, whist fawning over any number of showbiz filthsters, worse at that than Mike Funerals Parkinson, and that's saying something.
It is part of the national decline, the prominence of the BBC disc jockey, a man, generally, twittering in-between other people's recordings, about nothing. There was a case to be made for disc-jockery back when there was a difference between teenagers and their parents, when listening to rock'n'roll or punk was temporary rebellion's demarcation line, John Peel and Johnny Walker defining an ethereal barricade. Now that the land is awash with worthless multi-generational celebrity voted for by consumerised families, now that people don't buy singles or LPs, don't listen, together, to the latest thing, now that music is atomised, ubiquitous and purposeless the role of the deejay seems as relevant as that of the lamplighter. A clebrity personality, though, a cynical confection, reflecting yourself back at you, cleverer, wittier and warmer, that's something else.
I can't remember one such whom I considered worthy, useful, a voice welcome to the public discourse. Mark Tulley, the BBC's sacked India correspondent, used, on Sunday night, to do a compendium show, his thoughts, some readings and some bits of music from everywhere, it was a delight. Alexis Korner, away back, on Radio One, played a blues/roots selection, again, on Sunday night, which made me smile at his almost scholarly enthusiasms - that was Delbert McLinton, there, Oh, dropkick me, Jesus, through the goalposts of Life. Unlike so many, Korner was a musician himself, and not a member of the band of gobby nobodies which BBC promoted, and is still promoting. Even in his death, the dreadful old crow, Esther Rantzen, is milking Wogan, like she was masturbating a dead man - he raised millions, hundreds of millions for Children in Need. And I started ChildLine, even though I had romanced a paedo, myself, and simply adored Jimmy Savile, who also raised tens of millions, hundreds of millions, Oh, thousands of millions, we've all raised thousands of millions, millions of millions, for those less fortunate than myself.
Across the board, many adults are Woganised, infantilised, unable to bear their own silences, unable to entertain, comfort, amuse or stimulate themselves, millions addicted to the children's programme, Dr Who, pretending to watch it because it is challenging, philosophical, science fictional, tackling difficult issues, when all they are doing is lusting after whichever character
is the current Dr's current jailbait cyber-minx,
IS he gonna fuck her?
Harry Potter, tens of millions of middle-aged people, desperate for the next instalment of a children's book/film franchise, because it is encouraging boys to read books again, yeah, old boys, and old girls, who ought to know better. Kleptocrats robbing and raping us, angry millions on the move in our direction, ice-caps melting and we lose ourselves in spells and wands and wizards; in Time lords and Daleks; in retreaded galactic wars of empire; and we sit at home, doddery, frightened, listening to a highly-paid, low-brow entertainer, chuntering away, like he gives a fuck.
Up against the wall, motherfuckers.
Wogan, though, a fortune of £20 million, Christ, that's worth pretending to be nice to everyone for an hour or two a day.
What irks, though, is the utter banality of his output, a stage Irishman, running the gamut from self-deprecation to self-deprecation, whist fawning over any number of showbiz filthsters, worse at that than Mike Funerals Parkinson, and that's saying something.
It is part of the national decline, the prominence of the BBC disc jockey, a man, generally, twittering in-between other people's recordings, about nothing. There was a case to be made for disc-jockery back when there was a difference between teenagers and their parents, when listening to rock'n'roll or punk was temporary rebellion's demarcation line, John Peel and Johnny Walker defining an ethereal barricade. Now that the land is awash with worthless multi-generational celebrity voted for by consumerised families, now that people don't buy singles or LPs, don't listen, together, to the latest thing, now that music is atomised, ubiquitous and purposeless the role of the deejay seems as relevant as that of the lamplighter. A clebrity personality, though, a cynical confection, reflecting yourself back at you, cleverer, wittier and warmer, that's something else.
I can't remember one such whom I considered worthy, useful, a voice welcome to the public discourse. Mark Tulley, the BBC's sacked India correspondent, used, on Sunday night, to do a compendium show, his thoughts, some readings and some bits of music from everywhere, it was a delight. Alexis Korner, away back, on Radio One, played a blues/roots selection, again, on Sunday night, which made me smile at his almost scholarly enthusiasms - that was Delbert McLinton, there, Oh, dropkick me, Jesus, through the goalposts of Life. Unlike so many, Korner was a musician himself, and not a member of the band of gobby nobodies which BBC promoted, and is still promoting. Even in his death, the dreadful old crow, Esther Rantzen, is milking Wogan, like she was masturbating a dead man - he raised millions, hundreds of millions for Children in Need. And I started ChildLine, even though I had romanced a paedo, myself, and simply adored Jimmy Savile, who also raised tens of millions, hundreds of millions, Oh, thousands of millions, we've all raised thousands of millions, millions of millions, for those less fortunate than myself.
Across the board, many adults are Woganised, infantilised, unable to bear their own silences, unable to entertain, comfort, amuse or stimulate themselves, millions addicted to the children's programme, Dr Who, pretending to watch it because it is challenging, philosophical, science fictional, tackling difficult issues, when all they are doing is lusting after whichever character
is the current Dr's current jailbait cyber-minx,
IS he gonna fuck her?
Harry Potter, tens of millions of middle-aged people, desperate for the next instalment of a children's book/film franchise, because it is encouraging boys to read books again, yeah, old boys, and old girls, who ought to know better. Kleptocrats robbing and raping us, angry millions on the move in our direction, ice-caps melting and we lose ourselves in spells and wands and wizards; in Time lords and Daleks; in retreaded galactic wars of empire; and we sit at home, doddery, frightened, listening to a highly-paid, low-brow entertainer, chuntering away, like he gives a fuck.