I
was talking to a young man in the hospital, bright, funny, curious;
brighter than a thousand junior doctors, working as the ward orderly.
I declined my by then usual black coffee, saying, I gotta absent that shit from my life, I like it but its so bad. Yeah, but what's life without some Vice, he countered, looking at me.
Well, even the best vices, y'know, they just become habits.
He looked at me some more.
And then, I said, they become memories.
He
looked as though, in forty years' time, he might blow on the embers of
that conversation and remember me; that I might, briefly, like a
holo-memory, spring into life.
A
junior doctor, of course, would just have guffawed and moved-on, back
into his equilibrium, going about what mr tdg describes as his dull,
mechanistic job.
The
time I have wasted, listening to poor or indifferent music has been the
next best thing to a recurring, crippling vice. Indolent and
indiscriminate, I have wasted years, listening repeatedly to stuff which
I could already recite backwards, standing on my head, not knowing -
until recently - quite how much music there was, even in the Western
canon, never mind the Asian or Arabic - although I
would prefer never to hear a note of Oriental music. I'll just
digress, on that, a moment. I recently watched a 10,000 strong,
well-scrubbed and uniformed Chinese choir perform the fourth movement of
Beethoven's Ninth symphony with some state orchestra, they must have
hundreds of them, in China.
I daresay that every last one of the choristers sang every last note absolutely correctly for fear of a glorious, People's Republic bullet in the back of the neck but fuck me, Jesus, it was awful.
Too many people, too many voices. Sound travels at 1100 feet per second, not fast enough to usefully cover the distance from the orchestra to the back rows or even the middle rows of the vast choir. You'd expect the Chinks to know that stuff, physics, acoustics but no, they were all toothily singing their hearts out in perfect, unsynchronised dissonance, a seething cauldron of noises, all a split-second out of synch. Beethoven, if he could've heard, would've pissed on them.
I though it all dismally emblematic of NewCathay - copying the West, bigger, brasher, more ambitious, cheaper but useless, good for fuck all.
We must,
thanks to Junky George Osborne,
hope that their understanding of nuclear fission is greater than their understanding of Western music, lest the South Coast go molten.
Part of this govament's long-term economic wotsaname,
to get the country back on its knees, I mean feet.
Chinese nuclear power?
Right, that's the stuff.
Ah, so, Confucius, he say: Oh, freunde, nicht dieser tone....
No, he fucking didn't.
I daresay that every last one of the choristers sang every last note absolutely correctly for fear of a glorious, People's Republic bullet in the back of the neck but fuck me, Jesus, it was awful.
Too many people, too many voices. Sound travels at 1100 feet per second, not fast enough to usefully cover the distance from the orchestra to the back rows or even the middle rows of the vast choir. You'd expect the Chinks to know that stuff, physics, acoustics but no, they were all toothily singing their hearts out in perfect, unsynchronised dissonance, a seething cauldron of noises, all a split-second out of synch. Beethoven, if he could've heard, would've pissed on them.
I though it all dismally emblematic of NewCathay - copying the West, bigger, brasher, more ambitious, cheaper but useless, good for fuck all.
We must,
thanks to Junky George Osborne,
hope that their understanding of nuclear fission is greater than their understanding of Western music, lest the South Coast go molten.
Part of this govament's long-term economic wotsaname,
to get the country back on its knees, I mean feet.
Chinese nuclear power?
Right, that's the stuff.
Ah, so, Confucius, he say: Oh, freunde, nicht dieser tone....
No, he fucking didn't.
You
do hear this stuff, all the time, from luvvies, that culture, like
gender, knows no borders but that's rubbish. Oh, I like the Art of War
and Zen in the Art of Archery as much as does the next clapped-out old
hippy wastrel but, y'know, play the white man, gimme the King James
Bible any day.
By the Waters of Babylon, there we sat down, yea, and we wept, when we remembered Zion.
Nothing about the Great Wall of China there, in King David's Blues.
Oriental culture is for ex-pats and diplomats and for pretend, made-up people,
people like that frantically gibbering, loathsome cunt,
Mark BullyBoy Potato,
off the PBC
(irritating, nasal, rushed, stacatto voice)
Listeners-to-Front-Row-will-have-often-heard-me-say-that-the -wealth-of-early-Chinese-literature-dating-from-the-Hundred- Schools-of-Thought-that-occurred-during-the-Eastern-Zhou- Dynasty (770–256 BC)-is-reminiscent-in-its-combination-of-song-, divination-and-astrology-of-the-tormented-inner-city-zeitgeist-which-so underscores-the-didactic-of-EastEnders-or-indeed-of the Great-Tranny-Bake-Off. Confucianism-Daoism - or-Taoism-as-it -is-sometimes-wrongly-named - Mohism-and-Legalism-can-also-of-course-be-readily-recognised-in-contemporary-works -such-as-Britain's-Got-Talent - well-I-certainly-have, I'm-a-novelist-too-as-well-as-everything-else -and-in-Celebrity-Masterchef-with those-two-ignorant-shitheads-the-fat-bald-stupid-CockneyGeezerBastard-and-the brain-dead-uncouth-Aussie-plonker.
Where, I beseech you, readers, in the bowels of Christ, our Saviour, did the PBC find this pair of lacklustre, retarded mutants; how much rank ejaculate was swallowed by their agents, how many rectums torn and bloodied in order to get these two hideous imbeciles smeared all over our screens like fucking roadkill?
I don't even know their names but their faces are enough to tell you that they are coarse, vulgar and only partly-completed simulacra, some nightmare blend of greasyspoon cook, moron and zombie. I bet they sleep in baths of warm urine and drink litres of blood-streaked, consumptives' snot.
The thing with diseased sputum, cobber, is that it has to be served just above room temperature.
Thassrtight, me old china,
jus' like it is inside the diseased Freud'n'Jung.
Too right, sport, diseased, bloody sputum, mate, a dyin' mans phlegm, 'sgotta be at fever temperature, or else it tastes like a crockashit, not many chefs know that.
But then that's why we're the fucking' judges, innit?
And the Cockney git, this fucking prat, he does a show where he and some other cunt invade, for a week, the lives of a couple whose children really should be taken into care, a couple so desperate to be on the telly that they pretend to be spending thousands of pounds a month on shit pizza and baked beans, from Tesco, until baldy and his oppo trick them into eating Lidl and Aldi brands, instead.
Lidl fish paste is only 'alf the price a the Tesco one, watcha fink abaht that, my dahlin? Eh? Is that some savin', or what?
An' these strawberries, from Aldi, cor, stone me, if they ain't a full fifty pence a kilo cheaper than them ones in Sainsburys. An' you et 'em and didden even clock that they wasn't the same ones wot you usually buy.
An' as fer these Brussels, well wot would you say if I told ya that loose, like, from dahn the market, they was only ten pence an 'undredweight. You can't say fairer'n that. Job's a good un. So what would you two say if I told ya that me and wotsisface, ere, just by shopping a bit clever, 'ave saved you two more'n 'alf a million quid offa your yearly shoppin' bill?
Nah, there's no need to fank me, luv, me and my mate, we'll go 'ome 'appy, like, cos you're a lovely family and we've saved you a lotta dosh. And that's worritsallabout, fer us.
I'm not inventing this cunt, he really does do this shit, he really gets people to act like fucking idiots, just to be on the stupidest telly show ever.
Time he was made a peer, surely.
Arise, Lord Moron.
But back to the more rarified area of showbusiness.
A Bully? Me?
Well-I-must-admit-that-rather-like-that-other-tortured-cultural-colossus-Jeremy-Clarkson-I-occasionally-act-somewhat- emotionally-but-that-is-only-because-I-care-so-very-much-about- myself-I-mean-my-Art-I mean-my-listeners-at-home-eating-their-evening-M'n'S-lasagne-relying-on-me-for-this crucial-cultural-and-artistic-update. Did-I-mention-that-I-am-also-a-novelist? That-is-when-I-am-not-licking-faecal-matter-from-luvvie-arseholes.
or Mark Kermode,
off the PBC.
Yeah, what the potato guy said, above, only with something about Chinese enema. Did I say Chinese enema? I meant cinema. Chinese cinema, course I did. Because that's like, my thing, the movies. Yeah, course it's a real job.
Everything that happens at the PBC is really, truly real,
in a very real sense.
Almost incendiary it is, sometimes, so very real is it.
Talking about the movies. Scorcese and wotsisname, the nutjob, Quentin? Letts, is it? Tarantula. Yeah, Quentin Tarantula.
Doesn't get more real than that.
And I can't see Junky George
immersing himself in Chinese literature
- if they have any literature in that dreadful picture-writing, shit-daubing thing that they do, with fucking paintbrushes.
I mean, how can you write anything with a fucking paintbrush, apart from No Entry?
The way they write evening, for instance, one of the ways they write evening, is by painting a picture of a bird, sitting in its fucking nest.
Imagine Geoff Chaucer, writing the Canterbury Tales with a fucking paintbrush; he'd still be at it.
Look at it, it's fucking rubbish
We ah aw in dis togeddah.
- or learning Mandarin, Christ, he can't even squeak a proper sentence in English, can Junky George, he's got no chance in another language.
By the Waters of Babylon, there we sat down, yea, and we wept, when we remembered Zion.
Nothing about the Great Wall of China there, in King David's Blues.
Oriental culture is for ex-pats and diplomats and for pretend, made-up people,
people like that frantically gibbering, loathsome cunt,
Mark BullyBoy Potato,
off the PBC
(irritating, nasal, rushed, stacatto voice)
Listeners-to-Front-Row-will-have-often-heard-me-say-that-the -wealth-of-early-Chinese-literature-dating-from-the-Hundred- Schools-of-Thought-that-occurred-during-the-Eastern-Zhou- Dynasty (770–256 BC)-is-reminiscent-in-its-combination-of-song-, divination-and-astrology-of-the-tormented-inner-city-zeitgeist-which-so underscores-the-didactic-of-EastEnders-or-indeed-of the Great-Tranny-Bake-Off. Confucianism-Daoism - or-Taoism-as-it -is-sometimes-wrongly-named - Mohism-and-Legalism-can-also-of-course-be-readily-recognised-in-contemporary-works -such-as-Britain's-Got-Talent - well-I-certainly-have, I'm-a-novelist-too-as-well-as-everything-else -and-in-Celebrity-Masterchef-with those-two-ignorant-shitheads-the-fat-bald-stupid-CockneyGeezerBastard-and-the brain-dead-uncouth-Aussie-plonker.
Where, I beseech you, readers, in the bowels of Christ, our Saviour, did the PBC find this pair of lacklustre, retarded mutants; how much rank ejaculate was swallowed by their agents, how many rectums torn and bloodied in order to get these two hideous imbeciles smeared all over our screens like fucking roadkill?
I don't even know their names but their faces are enough to tell you that they are coarse, vulgar and only partly-completed simulacra, some nightmare blend of greasyspoon cook, moron and zombie. I bet they sleep in baths of warm urine and drink litres of blood-streaked, consumptives' snot.
The thing with diseased sputum, cobber, is that it has to be served just above room temperature.
Thassrtight, me old china,
jus' like it is inside the diseased Freud'n'Jung.
Too right, sport, diseased, bloody sputum, mate, a dyin' mans phlegm, 'sgotta be at fever temperature, or else it tastes like a crockashit, not many chefs know that.
But then that's why we're the fucking' judges, innit?
And the Cockney git, this fucking prat, he does a show where he and some other cunt invade, for a week, the lives of a couple whose children really should be taken into care, a couple so desperate to be on the telly that they pretend to be spending thousands of pounds a month on shit pizza and baked beans, from Tesco, until baldy and his oppo trick them into eating Lidl and Aldi brands, instead.
Lidl fish paste is only 'alf the price a the Tesco one, watcha fink abaht that, my dahlin? Eh? Is that some savin', or what?
An' these strawberries, from Aldi, cor, stone me, if they ain't a full fifty pence a kilo cheaper than them ones in Sainsburys. An' you et 'em and didden even clock that they wasn't the same ones wot you usually buy.
An' as fer these Brussels, well wot would you say if I told ya that loose, like, from dahn the market, they was only ten pence an 'undredweight. You can't say fairer'n that. Job's a good un. So what would you two say if I told ya that me and wotsisface, ere, just by shopping a bit clever, 'ave saved you two more'n 'alf a million quid offa your yearly shoppin' bill?
Nah, there's no need to fank me, luv, me and my mate, we'll go 'ome 'appy, like, cos you're a lovely family and we've saved you a lotta dosh. And that's worritsallabout, fer us.
I'm not inventing this cunt, he really does do this shit, he really gets people to act like fucking idiots, just to be on the stupidest telly show ever.
Time he was made a peer, surely.
Arise, Lord Moron.
But back to the more rarified area of showbusiness.
A Bully? Me?
Well-I-must-admit-that-rather-like-that-other-tortured-cultural-colossus-Jeremy-Clarkson-I-occasionally-act-somewhat- emotionally-but-that-is-only-because-I-care-so-very-much-about- myself-I-mean-my-Art-I mean-my-listeners-at-home-eating-their-evening-M'n'S-lasagne-relying-on-me-for-this crucial-cultural-and-artistic-update. Did-I-mention-that-I-am-also-a-novelist? That-is-when-I-am-not-licking-faecal-matter-from-luvvie-arseholes.
or Mark Kermode,
off the PBC.
Yeah, what the potato guy said, above, only with something about Chinese enema. Did I say Chinese enema? I meant cinema. Chinese cinema, course I did. Because that's like, my thing, the movies. Yeah, course it's a real job.
Everything that happens at the PBC is really, truly real,
in a very real sense.
Almost incendiary it is, sometimes, so very real is it.
Talking about the movies. Scorcese and wotsisname, the nutjob, Quentin? Letts, is it? Tarantula. Yeah, Quentin Tarantula.
Doesn't get more real than that.
And I can't see Junky George
immersing himself in Chinese literature
- if they have any literature in that dreadful picture-writing, shit-daubing thing that they do, with fucking paintbrushes.
I mean, how can you write anything with a fucking paintbrush, apart from No Entry?
The way they write evening, for instance, one of the ways they write evening, is by painting a picture of a bird, sitting in its fucking nest.
Imagine Geoff Chaucer, writing the Canterbury Tales with a fucking paintbrush; he'd still be at it.
Look at it, it's fucking rubbish
We ah aw in dis togeddah.
- or learning Mandarin, Christ, he can't even squeak a proper sentence in English, can Junky George, he's got no chance in another language.
Oh, but mr ishmael, high-end, authentic Chinese cuisine is simply to die for.
Right, sharks bits and birds' nests and fucking noodles. And dogs' noses.
I'd nuke em, me, the Chinks, just for that, just for dog-eating.
Worse than fucking cannibalism, isn't it, eating a nice dogbloke. I would, I'd fucking nuke the bastards
The
kid, in the hospital, though, mopping floors and carrying tea and
serviette-wrapped digestives to the patients, he reminded me of those
chronicles of wasted time, of passing vice and idolatry, of a life
pissed up the wall, watching and listening to trash.
I
felt like the Ancient Mariner, with the Wedding Guest; I wanted to sit
him down and say, Listen, don't fuck about with all this made-up pop
music shit, these people only want your money and your distant love,
they don't know anything, if they did, they wouldn't be doing what
they're doing, and the people who run them, the managers, the
impresarios, the agents, the Svengalis, the producers and promoters,
they are pure shit-filth, leeches and parasites, pimps, pederasts, drug
dealers, shysters, soul-stealers and crooks.
Don't
bother with all that pop music shit, in the end it means nothing; it's
already starting to mean nothing, there 's so much of it, more and more
product every month, there's new bands and artists every week, it's just
an industry, it ain't art, and then - as well - there's still all the
old product, being recycled, force-fed rectally up the collective
arsehole. Never in our history have we been so sung-at, so badly; never
has the mediocre been so ascendant - Paul McCartney and his amazing
teenage hair, still singing songs he wrote sixty years ago,
Willya still need me,willya still feed me?
Madonna,
Madge, grinding her old arse in people's faces;
Bob Dylan
who
can't even attempt to sing, now mutilating not only his own hugely
over-rated catalogue but also mumbling his migraine-inducing way
through all that Frank Sinatra Crooner shit, y'know, Sinatra, Cool
Frank,
the
plucky little New York spic, living the Playboy Life in LA, Hugh
Hefner set to music by Nelson Riddle, Little Frank, pimping for the
Mafia. And singing relentlessly about, Oh, God, what a hard time those
damn women bitches have given him. Set 'em up Joe, make it one for my
baby, and one more for the toad, I mean road, Christ, such maudlin,
self-pitying shit. If, as I was saying, America is hard to find, it'll
be due in no small measure to its obsession with lowlife crooners like
Frank Sinatra and the rest, Dipso Dean and the poor, shat-upon Sammy
Davis Junior, the house nigger. I never heard two bars of Sinatra that I
wanted to hear again, it was such a tiny talent, on a tiny palette,
albums filled with songs of fools' romantic love, babytalk songs,
playboy songs, Come fly with me, let's fly, let's fly away......Farley's
Rusks, for grown-ups, tripe. In LlamaLand, there's a one-man band, and
he'll toot his flute for you. Right, Frank, heavy shit, man.
Sinatra, though, could at least read a score and carry a tune, sing in time with the band,
Little
Old Bob can do none of that musician stuff, never could, it didn't
matter, when, for a few short years in the 'sixties, he dazzled, and my
Goodness, he did, but his concerts these days, well, the miracle is
that people aren't queuing-up, round the block, to pelt this old guy
with dogshit. I'd pay good money to do it, myself, and I have heard,
read, and seen more Bob Dylan stuff than most. I haven't bought a Bob
Dylan recording this century, multi-millionaire entertainer luvvies
moaning that they got the workingman's blues - Dylan and Brue
Springsteen both, improbably, do it - well, it's taking the piss, I
think. In my Haitch-Oh.
And
among all these old geezers, fronting tribute bands to themselves,
there is no embarrassment, no censure, not even a gentle, critical nudge towards respectable silence; pretty children fifty years ago, many still, now utterly devoid of creativity,
pout and grimace into their seventies and eighties, singing ancient, rock'n'roll nursery rhymes, as though they were teenagers.
There's
all those oldies and then there's the newies, too, I dunno who Adele is
or what she does but she talks like a fucking buffoon, a village
idiot; Ed Sheenan, I dunno who he is or what he does. One Direction, I
dunno. I've seen Mumford and Sons and I've seen countless better
ensembles in folk clubs and at folk festivals, wossallthatabout, is it
that they went to public school?
All
this is my fault, mine and that of those like me, who asserted that the
Kinks and the Who and the Manfreds were artists, that Pink Floyd were
geniuses, Jimi Hednrix sent to us from Heaven, when, in fact, those we
hailed as artists were, and remain, light entertainers; real art, real
music was beyond our gobby ken, we called this levelling downwards the
End of Deference and applauded our cretinous selves.
All
this dreadful shit, today, Cruelty TeeVee's brutal talent shows and
it's glossy nonentities, it all happens under Music's captured banner.
And it was my-my-my-g-g-g-generation offered it up to Mammon.
Somehow, thanks to me, the nation has become addicted to, enchanted by the sights and sounds of banality.
I, who can only work in silence am incensed by tradesmen I employ who
cannot lift a tool unless it is to the sound of Radio Two; you cannot
get in to a taxi without having to share the driver's taste in music,
even though you are paying him; GP reception areas,
clinics, hotels, shopping, centres and leisure facilities; there are
few public spaces not made hostile by bad music - and I guess that in a
public space, all music is bad music - all of it making its way out,
into Infinity, a cosmic environmental disaster.
I don't think that this side of Eternity there is any silence, clocks tick, lights hum, pipes cough and splutter, hearts beat - ain't it just like the night, to play tricks when you're trying to be so quiet - but there is the sound of silence,
in which you can hear - discern - the myriad sounds of Creation, even
in the city; you can hear the weather, the cat on the tiles, the falling leaves that jewel the ground, the cry of the night creature, the sigh of the lover.
Simon
Cowell would have it otherwise, would have us deafened to nature and to
each other by cynically manufactured pap, from dawn 'til dusk, by the
techno jangle of his human cash registers.
Prince died, a coupla weeks back,
I
never knew what to make of him, I quite liked Purple Rain and I quite
liked that song he wrote, sung by poor, mad Hazel O'Connor, No-thing
Compares, No-thing Compares 2You
but he seemed like a completely crazy bastard, always on the go,
constantly performing, jamming, writing and recording, I think that like
Frank Zappa, Prince recorded every note he ever played and there is
said to be a massive amount of unreleased material in his vaults. Can't
all be good, though, can it, unless, of course, his audience is
entirely undiscriminating?
Beethoven - about whom I came here to talk, in the first place - was,
like
Prince, a gigging musician, like Prince,he was fiercely independent,
eschewing an aristocratic patron; he wrote and published what he wanted
to, not, like Mozart, what was commissioned; like Prince, Beethoven
taught his craft to others, gave public performances with his peers and
was completely crazy. I saw his pianoforte in Vienna, once, looked
really cool.
Beethoven is credited with composing 138, 205 or 340 pieces, depending on which catalogue one reads. Among these, Beethoven wrote nine symphonies, the opera
"Fidelio," eight other overtures, eleven piano concerti, two choral
masses, maybe five other several-movement choral works, slightly fewer
than 100 chamber works and accompanied sonatas, 32 piano sonatas, around
350 individual songs and song arrangements, and perhaps 50 other
instrumental works including sets of variations, bagatelles, etc.
On the subject of Beethoven there is a lifetime's reading
to be found just a click away if you want it, although the music
speaks well enough for itself. I read a couple of biographies decades
ago and that's enough for me. What concerns me about all this, pointlessly, is the wasting of
my own time, something which has preoccupied me since I met the kid in
the hospital, maybe seeing in him my lighter, youthful, more careless
self. Pissing about.
I have for a long time liked the string quartet form and I have always known
that I should listen to Beethoven's Late Quartets, yet it was only a
heart attack, last week, a small one, but, y'know, a heart attack's a
fucking heart attack, which promped me to do so.
I
have now managed to hear and see a few movements, each of them
blissfully heavy going, not hard to listen-to, just, as I have always
said about Beethoven, like having God bow the strings of your heart,
pulling you apart and mending you, by turns. Gotta go easy with that stuff.
This
version, here, however, of the third movement of opus 135, is unusual
in that there is no sight of the performers; instead, there is a visual
representation of the score, scrolling sidewards with the music, it is
more illustrative of composition, harmony and symmetry, all that stuff, than anything I
have ever seen.The
top two flowing lines are the first and second violins, the third, the
viola and the fourth, the cello and the length of the individually
coloured lines represent the crochets and quavers and so on.
I guess this is just a piece of clever software but where performance
is lit, directed, filmed and edited it must subtly interfere with and
distract from the music, re-interpeting wrongly, subjectively emphasising
this line or phrase over that, this presentation only focuses the
listener on what it was which the composer assembled, wrung from Within,
heard from Without, somewhere.
Had there been something like this when first I heard proper music, well, my precious time would not seem, now, so wasted.