Wednesday, 13 November 2013

EVENSONG. I STOOD AT THE REMBRANDTS IN AMSTERDAM AND WEPT THAT OUR GENIUS MUST DIE. THIS HAS THE SAME EFFECT ON ME. AND I DON'T EVEN LIKE FREDDIE MERCURY


There are a few classical guitar arrangements of this over-exposed piece of doggerel; none of them have so captured the voice, the piano and BadgerMan's guitar so completely, so tastefully and  with such finesse, on just six strings. Rhapsody's what it is.

8 comments:

  1. Nice.

    I was going to enquire if you had ever wished that you'd 'never been born at all' Mr Ishmael, but I am more interested whether you can 'do the fandango'.

    I'll bet you can. With a rose between your teeth?

    Vincent

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  2. Why is there a woman doing the strumming??

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  3. No doubting his skill extraordinaire or his ability to raise this rubbish to previously unscaled heights, it kinda feels a bit Lounge Bar to me.

    When it comes to pickers, I'm more of a Davy Graham or maestro Thomson man myself.

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  4. Davey Graham & Alexis Korner; John Renbourn; Bert Jansch, Nic Jones, Nick Drake, countless others; we have been well-blessed with jazzy, bluesy, folky, percussive, elegiacal fingerpickers; there have been dozens and dozens of them, John Martyn, the Incredible String Band - where would Jerry Garcia stand, against players like these; Martin Simpson, Gordon Giltrap, Whizz Jones, it is a rich cultural heritage. much of it, over some years, exhibited here, mr tnp.

    This guy, though, is outside tha tradition. I can look at Richard Thompson stuff and think, well, I could manage a working version of that, and if I worked hard I could manage a fair version ( I don't). This though, is from somewhere else. Like many, I listened to a lot of Segovia playing Bach, compared to this it seems dreary and leaden.

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  5. Good, but I found the rhythm to metronomic compared to the original. Its like the difference between flamenco and classical guitar styles.

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  6. There's another version, mr mike, by Steve Bean, which I dispreferred because that very Flamenco-ish fluidity and drama of which you speak.

    It was the mutation from le rock grande et bombastique of Queen into Cruz's classial precision which I loved, his so-clever, so-perfect arrangement, as much as his playing.

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  7. It is a wonderful performance and arrangement, Mr Ishmael. With it on in the background, while tinkering around with other things, I found my self listening as though to an entirely original piece, heard for the first time.

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  8. Yes, mr bhs, me, too; even though he voices all the parts of the original, it is like something brand new. It is an odd symbiosis - this would not have existed without the mega-singlecumvideo, yet its perfection transforms and elevates the kitsch and the camp into someting divine.

    It was as I said, I looked at the lace ruffs and the beards in The Night Watch and thought How can anyone do this stuff and yet be mortal? I stood pn the stage of the Albert Hall singing the Messiah and thought the same thing, Fuck me, I thought, this is God's Rock'n'Roll, why did Handel have to die? The more I know, the more I am moved by stuff. Hope I'm not turning into a luvvie.

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